E. C. Morgan

A few views on writing, reading, literature and more specifically mystery fiction and my career.

Wednesday, February 22, 2006

BOOKSELLERS’ 100 FAVORITE MYSTERIES OF THE TWENTIETH CENTURY

Members of the Independent Mystery Booksellers Association compiled a list released in January 2000 of their 100 Favorite Mysteries of the century. It was agreed that each author would appear on the list only once. The Association is a trade association for owners of businesses wholly or substantially devoted to the sale of mysteries.

I have read books by 38 of the authors, including 29 books specifically named below.

Allingham, Margery - The Tiger in the Smoke
Ambler, Eric - A Coffin for Demetrios
Armstrong, Charlotte - A Dram of Poison
Atherton, Nancy - Aunt Dimity's Death
Ball, John - In the Heat of the Night
Barnard, Robert- Death by Sheer Torture
Barr, Nevada - Track of the Cat
Blake, Nicholas - The Beast Must Die
Block, Lawrence- When the Sacred Ginmill Closes
Brand, Christianna - Green for Danger
Brown, Frederic -The Fabulous Clipjoint
Buchan, John - The 39 Steps
Burke, James Lee - Black Cherry Blues
Cain, James M. - The Postman Always Rings Twice
Cannell, Dorothy - The Thin Woman
Carr, John Dickson - The Three Coffins
Caudwell, Sarah - Thus Was Adonis Murdered
Chandler, Raymond - The Big Sleep
Christie, Agatha - The Murder of Roger Ackroyd
Connelly, Michael - The Concrete Blonde
Constantine, K. C. - The Man Who Liked Slow Tomatoes
Crais, Robert - The Monkey's Raincoat
Crispin, Edmund - The Moving Toyshop
Crombie, Deborah - Dreaming of the Bones
Crumley, James - The Last Good Kiss
Dickinson, Peter - The Yellow Room Conspiracy
Doyle, Arthur Conan - The Hound of the Baskervilles
DuMaurier, Daphne - Rebecca
Dunning, John - Booked to Die
Elkins, Aaron - Old Bones
Evanovich, Janet - One for the Money
Finney, Jack - Time and Again
Ford, G. M. - Who in Hell is Wanda Fuca?
Francis, Dick - Whip Hand
Fremlin, Celia - The Hours Before Dawn
George, Elizabeth - A Great Deliverance
Gilbert, Michael - Smallbone Deceased
Grafton, Sue - “A” is for Alibi
Graham, Caroline - The Killings at Badger's Drift
Grimes, Martha - The Man With the Load of Mischief
Hammett, Dashiell - The Maltese Falcon
Hare, Cyril - An English Murder
Harris, Thomas - The Silence of the Lambs
Hiaasen, Carl - Tourist Season
Highsmith, Patricia - The Talented Nr. Ripley
Hill, Reginald - On Beulah Height
Hillerman, Tony - The Thief of Time
Himes, Chester - Cotton Comes to Harlem
Innes, Michael - Hamlet, Revenge!
James, P. D. - An Unsuitable Job for a Woman
Kellerman, Faye - The Ritual Bath
Kellerman, Jonathan - When the Bough Breaks
King, Laurie - The Beekeeper's Apprentice
Langton, Jane - Dark Nantucket Noon
Le Carre, John - The Spy Who Came in from the Cold
Lee, Harper - To Kill a Mockingbird
Lehane, Dennis - Darkness, Take My Hand
Leonard, Elmore - Get Shorty
Lochte, Dick - Sleeping Dog
Lovesey, Peter - Rough Cider
MacDonald, John - The Deep Blue Good-bye
MacDonald, Philip - The List of Adrian Messenger
Macdonald, Ross - The Chill
Maron, Margaret - Bootlegger's Daughter
Marsh, Ngaio - Death of a Peer
McBain, Ed - Sadie When She Died
McClure, James - The Sunday Hangman
McCrumb, Sharyn - If I Ever Return, Pretty Peggy-O
Millar, Margaret - Stranger in My Grave
Mosley, Walter - Devil in a Blue Dress
Muller, Marcia - Edwin of the Iron Shoes
Neel, Janet - Death's Bright Angel
O'Connell, Carol - Mallory's Oracle
Padgett, Abigail - Child of Silence
Paretsky, Sara - Deadlock
Parker, Robert - Looking for Rachel Wallace
Perez-Reverte, Arturo - The Club Dumas
Perry, Thomas - Vanishing Act
Peters, Elizabeth - Crocodile on the Sandbank
Peters, Ellis - One Corpse Too Many
Pronzini, Bill - Blue Lonesome
Queen, Ellery - Cat of Many Tails
Rendell, Ruth - No More Dying Then
Rice, Craig - The Wrong Murder
Rinehart, Mary Roberts - The Circular Staircase
Robinson, Peter -Blood at the Root
Rosen, Richard - Strike Three You're Dead
Sayers, Dorothy - Murder Must Advertise
Sjowall & Wahloo - The Laughing Policeman
Stout, Rex - Some Buried Caesar
Tey, Josephine - Brat Farrar
Thomas, Ross - Chinaman's Chance
Todd, Charles - A Test of Wills
Turow, Scott - Presumed Innocent
Upfield, Arthur - The Sands of Windee
Walters, Minette - The Ice House
White, Randy Wayne - Sanibel Flats
Woolrich, Cornell - I Married a Dead Man

Sunday, February 19, 2006

New Format

Just so everyone knows, I've changed the color scheme of the blog to hopefully make it a little easier to read.

Hope you enjoy it.

Friday, February 17, 2006

Point of View

Yesterday, I was reading an article titled "Perspectives on Point of View" by author Loren D. Estleman. Estleman is a great mystery writer who created the character Amos Walker. He's also cross-genre, having very successful novels that are historical, westerns and mainstream fiction.

His article was straight forward, talkinga bout the various points of view and showing examples -- all pertaining to mysteries.

Then he showed this example, which I believe is a prime example of outstanding writing.

These are Sherlock Holmes' remarks to Dr. Watson (first person narrator of the book) upon finding the body of Sir Charles Baskerville in "The Hound of the Baskerville."

"He was running Watson -- running desperately, running for his life, running until he burst his heart and fell dead upon his face."

Estleman goes on to comment, "Three pages of on the spot description would read no more chillingly than those lines."

He's right. You don't see the incident, because the book is from Watson's perspective and he didn't see the incident. But Holmes' observation leaves no doubt as to the fear and desperation Sir Baskerville must have felt.

I tend to use a couple of different points of view in my writing.

All my Addison Carlysle and Barnacle stories are written first person from the perspective of Addison.

Many of my other stories are writting in third person subjective and I've begun to experiment with the omniscent point of view.

My short story "Jessie" as well as my first novel, Family Ties, alternate points of view -- third person subjective and first person.

In the end, as with all things, I believe it all depends on one thing and one thing only: your story. What point of view best serves your story.

Thursday, February 16, 2006

What comes out on paper

Last night, I had the beginnings of an interesting conversation with a friend. She and I were having dinner and began discussing what we write.

She expressed surprise at some of the types of things she writes -- they are the types of things she may not necessarily enjoy reading or watching and just not the type of thing you'd think of her writing.

Likewise, she expressed surprise at what I write.

I can't remember the exact comment, but she recalled reading my story "Information" which appeared in the June '05 Mysterical-E (www.mystericale.com). It is a violent story, as most of my short fiction is, and she was surprised it could come out of me.

I am a nice guy (I think), although I do "call it like I see it." Regardless, I try to treat everyone (well most people) with respect and kindness, unless they give me a reason otherwise.

Perhaps that's what it is. I have a definite sense of right and wrong within me. I mentioned to this same friend once that's part of the appeal of The Lord of the Rings -- the good characters are good and are willing to sacrifice much in the name of good.

Many of my stories, and hence the characters, explore this basic theme: is it OK to commit an evil deed for purpose that is good or noble? It is a thought that definitely shies away from my "good is good and bad is bad" personal philosophy on such things.

In the story Information, the main character, Barnacle, is hired to find out if a hit man killed the wrong person. His findings may very likely lead to the death of the hit man. Barnacle's morally ambiguity -- he takes the job knowing someone may die -- is interesting to me. In a sense, justice could be done -- if an innocent was accidentally killed by the hit man who is in turn killed, that's justice, right?

Even two of my upcoming stories, "Jessie" (to appear soon at www.acruelworld.com) and The Last Cowboy (to appear soon at www.shredofevidence.com), deal with similar themes. Of course, my other upcoming story "The King" (to appear later this year in Crime Spree Magazine), is a much different story.

Ultimately, I think that writing, like other forms of art, at least for those who dig deep within themselves, is a way to address certain thoughts, ideas and concerns that a person has.

As one mystery writer, I think Nevada Barr but I wouldn't swear to it, said: "When my husband left me I wanted to kill him. So I wrote a mystery novel instead."

Tuesday, February 14, 2006

100 opening lines

Below are the 100 best opening lines, according to the American Book Review. Just thought them interesting. I have only read 16 -- Numbers 1, 7, 8, 9, 12, 20, 21, 26, 38, 48, 53, 59, 64, 75, 90 and 100.

100 Best First Lines from Novels

1. Call me Ishmael. —Herman Melville, Moby-Dick (1851)

2. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. —Jane Austen, Pride and Prejudice (1813)

3. A screaming comes across the sky. —Thomas Pynchon, Gravity's Rainbow (1973)

4. Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice. —Gabriel García Márquez, One Hundred Years of Solitude (1967; trans. Gregory Rabassa)

5. Lolita, light of my life, fire of my loins. —Vladimir Nabokov, Lolita (1955)

6. Happy families are all alike; every unhappy family is unhappy in its own way. —Leo Tolstoy, Anna Karenina (1877; trans. Constance Garnett)

7. riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs. —James Joyce, Finnegans Wake (1939)

8. It was a bright cold day in April, and the clocks were striking thirteen. —George Orwell, 1984 (1949)

9. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. —Charles Dickens, A Tale of Two Cities (1859)

10. I am an invisible man. —Ralph Ellison, Invisible Man (1952)

11. The Miss Lonelyhearts of the New York Post-Dispatch (Are you in trouble?—Do-you-need-advice?—Write-to-Miss-Lonelyhearts-and-she-will-help-you) sat at his desk and stared at a piece of white cardboard. —Nathanael West, Miss Lonelyhearts (1933)

12. You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. —Mark Twain, Adventures of Huckleberry Finn (1885)

13. Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested. —Franz Kafka, The Trial (1925; trans. Breon Mitchell)

14. You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler. —Italo Calvino, If on a winter's night a traveler (1979; trans. William Weaver)

15. The sun shone, having no alternative, on the nothing new. —Samuel Beckett, Murphy (1938)

16. If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. —J. D. Salinger, The Catcher in the Rye (1951)

17. Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo. —James Joyce, A Portrait of the Artist as a Young Man (1916)

18. This is the saddest story I have ever heard. —Ford Madox Ford, The Good Soldier (1915)

19. I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me; had they duly considered how much depended upon what they were then doing;—that not only the production of a rational Being was concerned in it, but that possibly the happy formation and temperature of his body, perhaps his genius and the very cast of his mind;—and, for aught they knew to the contrary, even the fortunes of his whole house might take their turn from the humours and dispositions which were then uppermost:—Had they duly weighed and considered all this, and proceeded accordingly,—I am verily persuaded I should have made a quite different figure in the world, from that, in which the reader is likely to see me. —Laurence Sterne, Tristram Shandy (1759–1767)

20. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. —Charles Dickens, David Copperfield (1850)

21. Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. —James Joyce, Ulysses (1922)

22. It was a dark and stormy night; the rain fell in torrents, except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the house-tops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness. —Edward George Bulwer-Lytton, Paul Clifford (1830)

23. One summer afternoon Mrs. Oedipa Maas came home from a Tupperware party whose hostess had put perhaps too much kirsch in the fondue to find that she, Oedipa, had been named executor, or she supposed executrix, of the estate of one Pierce Inverarity, a California real estate mogul who had once lost two million dollars in his spare time but still had assets numerous and tangled enough to make the job of sorting it all out more than honorary. —Thomas Pynchon, The Crying of Lot 49 (1966)

24. It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. —Paul Auster, City of Glass (1985)

25. Through the fence, between the curling flower spaces, I could see them hitting. —William Faulkner, The Sound and the Fury (1929)

26. 124 was spiteful. —Toni Morrison, Beloved (1987)

27. Somewhere in la Mancha, in a place whose name I do not care to remember, a gentleman lived not long ago, one of those who has a lance and ancient shield on a shelf and keeps a skinny nag and a greyhound for racing. —Miguel de Cervantes, Don Quixote (1605; trans. Edith Grossman)

28. Mother died today. —Albert Camus, The Stranger (1942; trans. Stuart Gilbert)

29. Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu. —Ha Jin, Waiting (1999)

30. The sky above the port was the color of television, tuned to a dead channel. —William Gibson, Neuromancer (1984)

31. I am a sick man . . . I am a spiteful man. —Fyodor Dostoyevsky, Notes from Underground (1864; trans. Michael R. Katz)

32. Where now? Who now? When now? —Samuel Beckett, The Unnamable (1953; trans. Patrick Bowles)

33. Once an angry man dragged his father along the ground through his own orchard. "Stop!" cried the groaning old man at last, "Stop! I did not drag my father beyond this tree." —Gertrude Stein, The Making of Americans (1925)

34. In a sense, I am Jacob Horner. —John Barth, The End of the Road (1958)

35. It was like so, but wasn't. —Richard Powers, Galatea 2.2 (1995)

36. —Money . . . in a voice that rustled. —William Gaddis, J R (1975)

37. Mrs. Dalloway said she would buy the flowers herself. —Virginia Woolf, Mrs. Dalloway (1925)

38. All this happened, more or less. —Kurt Vonnegut, Slaughterhouse-Five (1969)

39. They shoot the white girl first. —Toni Morrison, Paradise (1998)

40. For a long time, I went to bed early. —Marcel Proust, Swann's Way (1913; trans. Lydia Davis)

41. The moment one learns English, complications set in. —Felipe Alfau, Chromos (1990)

42. Dr. Weiss, at forty, knew that her life had been ruined by literature. —Anita Brookner, The Debut (1981)

43. I was the shadow of the waxwing slain / By the false azure in the windowpane; —Vladimir Nabokov, Pale Fire (1962)

44. Ships at a distance have every man's wish on board. —Zora Neale Hurston, Their Eyes Were Watching God (1937)

45. I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story. —Edith Wharton, Ethan Frome (1911)

46. Ages ago, Alex, Allen and Alva arrived at Antibes, and Alva allowing all, allowing anyone, against Alex's admonition, against Allen's angry assertion: another African amusement . . . anyhow, as all argued, an awesome African army assembled and arduously advanced against an African anthill, assiduously annihilating ant after ant, and afterward, Alex astonishingly accuses Albert as also accepting Africa's antipodal ant annexation. —Walter Abish, Alphabetical Africa (1974)

47. There was a boy called Eustace Clarence Scrubb, and he almost deserved it. —C. S. Lewis, The Voyage of the Dawn Treader (1952)

48. He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. —Ernest Hemingway, The Old Man and the Sea (1952)

49. It was the day my grandmother exploded. —Iain M. Banks, The Crow Road (1992)

50. I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974. —Jeffrey Eugenides, Middlesex (2002)

51. Elmer Gantry was drunk. —Sinclair Lewis, Elmer Gantry (1927)

52. We started dying before the snow, and like the snow, we continued to fall. —Louise Erdrich, Tracks (1988)

53. It was a pleasure to burn. —Ray Bradbury, Fahrenheit 451 (1953)

54. A story has no beginning or end; arbitrarily one chooses that moment of experience from which to look back or from which to look ahead. —Graham Greene, The End of the Affair (1951)

55. Having placed in my mouth sufficient bread for three minutes' chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind, my eyes and face assuming a vacant and preoccupied expression. —Flann O'Brien, At Swim-Two-Birds (1939)

56. I was born in the Year 1632, in the City of York, of a good Family, tho' not of that Country, my Father being a Foreigner of Bremen, who settled first at Hull; He got a good Estate by Merchandise, and leaving off his Trade, lived afterward at York, from whence he had married my Mother, whose Relations were named Robinson, a very good Family in that Country, and from whom I was called Robinson Kreutznaer; but by the usual Corruption of Words in England, we are now called, nay we call our selves, and write our Name Crusoe, and so my Companions always call'd me. —Daniel Defoe, Robinson Crusoe (1719)

57. In the beginning, sometimes I left messages in the street. —David Markson, Wittgenstein's Mistress (1988)

58. Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress.
—George Eliot, Middlemarch (1872)

59. It was love at first sight. —Joseph Heller, Catch-22 (1961)

60. What if this young woman, who writes such bad poems, in competition with her husband, whose poems are equally bad, should stretch her remarkably long and well-made legs out before you, so that her skirt slips up to the tops of her stockings? —Gilbert Sorrentino, Imaginative Qualities of Actual Things (1971)

61. I have never begun a novel with more misgiving. —W. Somerset Maugham, The Razor's Edge (1944)

62. Once upon a time, there was a woman who discovered she had turned into the wrong person. —Anne Tyler, Back When We Were Grownups (2001)

63. The human race, to which so many of my readers belong, has been playing at children's games from the beginning, and will probably do it till the end, which is a nuisance for the few people who grow up. —G. K. Chesterton, The Napoleon of Notting Hill (1904)

64. In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. —F. Scott Fitzgerald, The Great Gatsby (1925)

65. You better not never tell nobody but God. —Alice Walker, The Color Purple (1982)

66. "To be born again," sang Gibreel Farishta tumbling from the heavens, "first you have to die." —Salman Rushdie, The Satanic Verses (1988)

67. It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York. —Sylvia Plath, The Bell Jar (1963)

68. Most really pretty girls have pretty ugly feet, and so does Mindy Metalman, Lenore notices, all of a sudden. —David Foster Wallace, The Broom of the System (1987)

69. If I am out of my mind, it's all right with me, thought Moses Herzog. —Saul Bellow, Herzog (1964)

70. Francis Marion Tarwater's uncle had been dead for only half a day when the boy got too drunk to finish digging his grave and a Negro named Buford Munson, who had come to get a jug filled, had to finish it and drag the body from the breakfast table where it was still sitting and bury it in a decent and Christian way, with the sign of its Saviour at the head of the grave and enough dirt on top to keep the dogs from digging it up. —Flannery O'Connor, The Violent Bear it Away (1960)

71. Granted: I am an inmate of a mental hospital; my keeper is watching me, he never lets me out of his sight; there's a peephole in the door, and my keeper's eye is the shade of brown that can never see through a blue-eyed type like me. —GŸnter Grass, The Tin Drum (1959; trans. Ralph Manheim)

72. When Dick Gibson was a little boy he was not Dick Gibson. —Stanley Elkin, The Dick Gibson Show (1971)

73. Hiram Clegg, together with his wife Emma and four friends of the faith from Randolph Junction, were summoned by the Spirit and Mrs. Clara Collins, widow of the beloved Nazarene preacher Ely Collins, to West Condon on the weekend of the eighteenth and nineteenth of April, there to await the End of the World. —Robert Coover, The Origin of the Brunists (1966)

74. She waited, Kate Croy, for her father to come in, but he kept her unconscionably, and there were moments at which she showed herself, in the glass over the mantel, a face positively pale with the irritation that had brought her to the point of going away without sight of him. —Henry James, The Wings of the Dove (1902)

75. In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. —Ernest Hemingway, A Farewell to Arms (1929)

76. "Take my camel, dear," said my Aunt Dot, as she climbed down from this animal on her return from High Mass. —Rose Macaulay, The Towers of Trebizond (1956)

77. He was an inch, perhaps two, under six feet, powerfully built, and he advanced straight at you with a slight stoop of the shoulders, head forward, and a fixed from-under stare which made you think of a charging bull. —Joseph Conrad, Lord Jim (1900)

78. The past is a foreign country; they do things differently there. —L. P. Hartley, The Go-Between (1953)

79. On my naming day when I come 12 I gone front spear and kilt a wyld boar he parbly ben the las wyld pig on the Bundel Downs any how there hadnt ben none for a long time befor him nor I aint looking to see none agen. —Russell Hoban, Riddley Walker (1980)

80. Justice?—You get justice in the next world, in this world you have the law. —William Gaddis, A Frolic of His Own (1994)

81. Vaughan died yesterday in his last car-crash. —J. G. Ballard, Crash (1973)

82. I write this sitting in the kitchen sink. —Dodie Smith, I Capture the Castle (1948)

83. "When your mama was the geek, my dreamlets," Papa would say, "she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing." —Katherine Dunn, Geek Love (1983)

84. In the last years of the Seventeenth Century there was to be found among the fops and fools of the London coffee-houses one rangy, gangling flitch called Ebenezer Cooke, more ambitious than talented, and yet more talented than prudent, who, like his friends-in-folly, all of whom were supposed to be educating at Oxford or Cambridge, had found the sound of Mother English more fun to game with than her sense to labor over, and so rather than applying himself to the pains of scholarship, had learned the knack of versifying, and ground out quires of couplets after the fashion of the day, afroth with Joves and Jupiters, aclang with jarring rhymes, and string-taut with similes stretched to the snapping-point. —John Barth, The Sot-Weed Factor (1960)

85. When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon. —James Crumley, The Last Good Kiss (1978)

86. It was just noon that Sunday morning when the sheriff reached the jail with Lucas Beauchamp though the whole town (the whole county too for that matter) had known since the night before that Lucas had killed a white man. —William Faulkner, Intruder in the Dust (1948)

87. I, Tiberius Claudius Drusus Nero Germanicus This-that-and-the-other (for I shall not trouble you yet with all my titles) who was once, and not so long ago either, known to my friends and relatives and associates as "Claudius the Idiot," or "That Claudius," or "Claudius the Stammerer," or "Clau-Clau-Claudius" or at best as "Poor Uncle Claudius," am now about to write this strange history of my life; starting from my earliest childhood and continuing year by year until I reach the fateful point of change where, some eight years ago, at the age of fifty-one, I suddenly found myself caught in what I may call the "golden predicament" from which I have never since become disentangled. —Robert Graves, I, Claudius (1934)

88. Of all the things that drive men to sea, the most common disaster, I've come to learn, is women. —Charles Johnson, Middle Passage (1990)

89. I am an American, Chicago born—Chicago, that somber city—and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. —Saul Bellow, The Adventures of Augie March (1953)

90. The towers of Zenith aspired above the morning mist; austere towers of steel and cement and limestone, sturdy as cliffs and delicate as silver rods. —Sinclair Lewis, Babbitt (1922)

91. I will tell you in a few words who I am: lover of the hummingbird that darts to the flower beyond the rotted sill where my feet are propped; lover of bright needlepoint and the bright stitching fingers of humorless old ladies bent to their sweet and infamous designs; lover of parasols made from the same puffy stuff as a young girl's underdrawers; still lover of that small naval boat which somehow survived the distressing years of my life between her decks or in her pilothouse; and also lover of poor dear black Sonny, my mess boy, fellow victim and confidant, and of my wife and child. But most of all, lover of my harmless and sanguine self. —John Hawkes, Second Skin (1964)

92. He was born with a gift of laughter and a sense that the world was mad. —Raphael Sabatini, Scaramouche (1921)

93. Psychics can see the color of time it's blue. —Ronald Sukenick, Blown Away (1986)

94. In the town, there were two mutes and they were always together. —Carson McCullers, The Heart is a Lonely Hunter (1940)

95. Once upon a time two or three weeks ago, a rather stubborn and determined middle-aged man decided to record for posterity, exactly as it happened, word by word and step by step, the story of another man for indeed what is great in man is that he is a bridge and not a goal, a somewhat paranoiac fellow unmarried, unattached, and quite irresponsible, who had decided to lock himself in a room a furnished room with a private bath, cooking facilities, a bed, a table, and at least one chair, in New York City, for a year 365 days to be precise, to write the story of another person—a shy young man about of 19 years old—who, after the war the Second World War, had come to America the land of opportunities from France under the sponsorship of his uncle—a journalist, fluent in five languages—who himself had come to America from Europe Poland it seems, though this was not clearly established sometime during the war after a series of rather gruesome adventures, and who, at the end of the war, wrote to the father his cousin by marriage of the young man whom he considered as a nephew, curious to know if he the father and his family had survived the German occupation, and indeed was deeply saddened to learn, in a letter from the young man—a long and touching letter written in English, not by the young man, however, who did not know a damn word of English, but by a good friend of his who had studied English in school—that his parents both his father and mother and his two sisters one older and the other younger than he had been deported they were Jewish to a German concentration camp Auschwitz probably and never returned, no doubt having been exterminated deliberately X * X * X * X, and that, therefore, the young man who was now an orphan, a displaced person, who, during the war, had managed to escape deportation by working very hard on a farm in Southern France, would be happy and grateful to be given the opportunity to come to America that great country he had heard so much about and yet knew so little about to start a new life, possibly go to school, learn a trade, and become a good, loyal citizen. —Raymond Federman, Double or Nothing (1971)

96. Time is not a line but a dimension, like the dimensions of space. —Margaret Atwood, Cat's Eye (1988)

97. He—for there could be no doubt of his sex, though the fashion of the time did something to disguise it—was in the act of slicing at the head of a Moor which swung from the rafters. —Virginia Woolf, Orlando (1928)

98. High, high above the North Pole, on the first day of 1969, two professors of English Literature approached each other at a combined velocity of 1200 miles per hour. —David Lodge, Changing Places (1975)

99. They say when trouble comes close ranks, and so the white people did. —Jean Rhys, Wide Sargasso Sea (1966)

100. The cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting. —Stephen Crane, The Red Badge of Courage (1895)

Monday, February 13, 2006

Off to Market

There are many many resources for markets out there.

Writer's Market and The Writer are two of the most popular, but they barely scratch the surface of what's available to an aspiring fiction writer.

Here's a few free resources you might want to peruse.

http://www.ralan.com/
This site contains a plethora of markets, including online markets, that publish fantasy, horror, sci fi, dark fiction, humor and even "adult." Many of these markets are non- or low-paying, but there are a lot of opportunities here you just won't find listed anywhere else.

http://www.shortmystery.net/markets.html
This site contains links to print and online short mystery publications. Again, a lot more than you'll find listed in Writer's Market.

http://www.kimberlybrown.net/
Click on market archives, market profiles, and markets galore. Kim has done a magnificent job of providing us additional information on hundreds of possible markets for our work.

There are others, but these three provide you with literally thousands of potential fiction markets you won't find in the commercially available market guides.

Sunday, February 12, 2006

Reading the markets

One of the undeniable acts of market research is to READ a few copies of the magazine you are planning to submit to. This is critically important as guidelines simply don't give you a feel for the style of a publication.

Recently, I wrote a story called "Jessie." It is a story that deals frankly and bluntly with sexual assault and murder for revenge. The crime is graphic, the language is graphic, and the story would definitely be rated "R".

This one was easier to find a home for. Most of the mystery magazines are not rated "R". This limited the available markets to a few online publications, which I read thoroughly. In the end, I went with A Cruel World. The intro to their web site says it all:

"If you like your characters nasty, dark and often on the wrong side of the law...." It is a publication that is not afraid of the graphic, the violence and the language, AS LONG AS IT SERVES THE STORY.

Another better example is the story "The Last Cowboy" which will be published in Shred of Evidence.

There are two on-page scenes of violence, though they aren't too graphic. The language pushes the barrier too. Maybe PG-13. So where to send it?

The two biggies, Alfred Hitchcock and Ellery Queen Mystery Magazines are cleaner, with less language and much of the violence taking place off story.

A Cruel World and Mysterical-E are a little different. I didn't feel this story was HARD ENOUGH for them. There's no detective in my story, so Thrilling Detective's out. There were similar concerns for other publications that have specialized needs.

So we come to Shred of Evidence. I read it religiously and knew that it pushed the boundaries farther than EQMM or AHMM, but not as far as A Cruel World. Like ACW, though, it is a quality online publication and would make a great addition to my resume.

Success!

But the simple fact is you cannot pick up on these subtle differences without reading the publications.

I realize in some cases this may be expensive, but no doubt, reading the publications leads to greater understanding of the markets -- and that leads to more sales.

MORE publishing news

I have just learned this morning that Shred of Evidence, www.shredofevidence.com, an online mystery magazine, will publish my story, The Last Cowboy, in their next issue.

It has been quite an exciting weekend on the publishing front, with this and A Cruel World -- two highly regarded and important publishers of short mystery fiction.

I'll let you know when the story is available for reading.

Saturday, February 11, 2006

Exciting Publication news

I've just learned that my short story "Jessie" will be published in the next issue of A Cruel World, www.acruelworld.com, an online crime-fiction magazine with a definite hard angle.

I'll be sure to post when it is available to read.

WARNING
I know someo of you have delicate sensibilities. "Jessie" is a story that deals frankly and somewhat graphically with sexual assualt and rape of a child, and that child's revenge. If such topics disturb you, you might not want to read the story...but if you don't, you'll be missing out on a good one!

Again, I'll let you know when it's online and available to read.

My thanks to the crew at A Cruel World!

Friday, February 10, 2006

Two great book quotes

There are many many great quotes from novels -- lines the characters use that make you laugh, cry or feel sorry for the other person.

Two of my favorite come from a children's author. I was reading something early this morning that reminded me.

I'm talking about Encyclopedia Brown, Boy Detective. You know, "Brown Detective Agency 13 Rover Avenue Leroy Brown President NO case too small 25 cents per day plus expenses". I loved those stories when I was little, and was reminded of two classic lines.

"I wouldn't believe him if he swore he was lying." -- Encyclopedia Brown

"You thieving, lying crook! You should be elected president so you can grant yourself a pardon." - Sally Kimball (From "The Case of Bug's Zebra") She is often Brown's "muscle" in the books.

Good stuff. Fun stuff.

Thursday, February 09, 2006

One thing I love...

There are many questions out there that would cause a raised eyebrow at best, and a call for straight jackets in the extreme. Unless you are a writer.

This evening, I called up a friend. You see, I had some questions about a plot I'm putting together for a story. The friend in question has a psychology degree and still has her books -- especially the ones concerning abnormal psychology.

What was odd was my questioning about self-mutilation, its relationship to suicide and other problems, didn't seem the least bit odd, which we laughed about.

I mean, if I weren't a writer, how else could I call someone and say, "Hey, tell me about self-mutilation."

I love this job!

Tuesday, February 07, 2006

Fear

Sometimes fear can be stifling in writing.

You may fear what others will think, so why bother writing.

You may fear that others will not accept what you enjoy writing, so why bother writing.

Maybe journal writing isn't good enough for a parent. Maybe your dreams of publishing short stories isn't good enough for a spouse.

You may fear the inevitible rejection that comes with send out manuscripts and queries.

Who knows?

But fear can be crippling.

A quote from the novel Dune by Frank Herbert. In the novel, there is a group of witches called the Bene Gesserit, and they have a "litany against fear." It goes:
"I must not fear.
Fear is the mind-killer.
Fear is the little-death that brings total obliteration.
I will face my fear.
I will permit it to pass over me and through me.
And when it has gone past I will turn the inner eye to see its path.
Where the fear has gone there will be nothing.
Only I will remain."

I am often of the mind that there are three things that prevent people from succeeding in the world of writing and none have a thing to do with talent.

One is discipline or lack there of. It takes discipline to write 500, 1,000 or 2,000 words a day, every day, including Christmas, your birthday and new years. It takes discipline to write a 80,000 word novel with no clue if it will ever sell. Without it, you cannot succeed.

Second is a true desire to do this. For some people, I think their desire is lacking. They think they want to do this until they find out it really is hard work. Or maybe their desire is motivated by something else. They want to be a writer because someone they love wants them to be a writer, or they think it is a road to riches, or whatever. But often, I think aspiring writers fail because their motivations to write are false.

Finally, I think a lot fail because of fear. I often feel fear in my writing career. Is it good enough? Will this story publish it? Am I just wasting my time?

But fear is meant to be overcome and little victories help.

I remember years ago I taught a kid judo. He practiced dilligently and was a pretty good kid. However, he competed often and competed badly. For the first year, his opponents just mopped the mat up with him. In a word, it was ugly. One day he fought a match against the national champion in his age and weight division. The kid lost, but he fought to the time limit and even scored a couple of points, throwing the champ once for a small score. To him, it was a victory. After that, he fought with more confidence and started to win. And win. And win. By the time I moved on, he was consistently a top-5 finisher at nationals.

Stephen King makes a good comment about this in his book "On Writing." I'm not sure exactly what he said, but he mentioned the importance of reading a lot and what it does for you to read something that has actually been published and think "I'm doing better than this!"

It breeds confidence as does the little things -- a handwritten rejection instead of the damned form letters. A small publication saying yes. Being a finalist in a contest.

Have the courage to be a writer. Have the courage to be the kind of writer you want to be.

In closing, maybe these quotes will inspire:

"Courage is being scared to death - but saddling up anyway."
John Wayne

"Everyone has talent. What is rare is the courage to follow the talent to the dark place where it leads."
Erica Jong

"Courage is fear that has said its prayers."
Dorothy Bernard

"Courage is the art of being the only one who knows you're scared to death."
Harold Wilson

And finally...

"Courage and perseverance have a magical talisman, before which difficulties disappear and obstacles vanish into air."
John Quincy Adams

Monday, February 06, 2006

Update

Just an update on what I'm working on right now.

Currently, I have four short stories in circulation trying to find a home and two more to go out in the next day or so.

I am anxiously awaiting publication of an article in Car Audio & Electronics and am also awaiting the "go" from the editor to do an article for Writer's Digest.

"Death of a Bluesman" is rapidly drawing to a close, in terms of the rough draft. Without a doubt, I should reach my self-imposed Valentine's Day deadline to have the rough done. I need to do a little work on the last couple of chapters, filling in some gaps, and then the revision work begins.

I have begun working on a plot for two more books -- one a Addison and Barnacle novel and the other a stand alone. I have decided to revise "Family Ties" before I begin work on a new book. That revision will likely take only about a month and I anticipate to be hard at work on a new novel by May.

I'm anxiously awaiting word from the Naval Institute Press regarding a non-fiction book proposal. Last word I got from them is it's being considered further. Of course, if they decide they want me to write this book, then my novel writing schedule will change.

I am also looking at attending two conferences this year. One will likely be Bouchercon 2006, the world's largest annual convention of mystery writers, editors, agents and fans. This year it is in Madison, Wis., Spet. 28-Oct. 1. I'm also hoping to attend another conference, perhaps Mayhem in the Midlands in May in Nebraska, or perhaps the Hardboiled Heroes and Cozy Cats conference in Houston in June.

And, I've put it off long enough -- next payday I'll be joining the Mystery Writer's of America, now that I qualify for full membership.

Sunday, February 05, 2006

Starbucks

I mentioned my productivity during a very rare stop in at Starbucks recently.

Interestingly, on an e-mail list of mystery writers I belong too, a similar discussion of Starbucks -- really more writing outside the home -- emerged. It was quite interesting.

Then I ran across an interview with best-selling author Harlan Coben. The interview was conducted by London's Daily Telegraph in February, 2003.

Here's an excerpt about where Coben writes:

Coben says he doesn't like writing at home. "My house has too many distractions," he tells me. "There's the email. There's checking my Amazon ranking. I know I'm the only author who's ever done that, ever. There's the fax. Too many distractions. I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere. I like new spots. I have my notebook right here." Coben picks up the notebook and the pen.

"If you'd taken more time to get here," he says, "I would have been bangin' out some thoughts."

Just thought it interesting.

Friday, February 03, 2006

Top 50 Books of 2005

Here are the 50 best-selling books of 2005. I've read numbers 4, 8, 9, 12, 26, 28 and 47. I was intrigued to learn that 4 of the 9 I've read were non-fction (Nos 4, 9, 12, and 47).

1. Harry Potter and the Half-Blood Prince, Rowling, J.K. (Arthur A. Levine Books, 0439784549, 7/1/2005, $29.99)

2. A Million Little Pieces, Frey, James, (Anchor Books, 0307276902, 9/1/2005, $14.95)

3. The Kite Runner, Hosseini, Khaled, (Riverhead, 1594480001, 4/1/2004, $14.00)

4. 1776, McCullough, David, (Simon & Schuster, 0743226712, 5/1/2005, $32.00)

5. The Da Vinci Code, Brown, Dan, (Doubleday, 0385504209, 3/1/2003, $24.95)

6. The World Is Flat, Friedman, Thomas L. (Farrar Straus Giroux, 0374292884, 4/1/2005, $27.50)

7. The Purpose-Driven Life, Warren, Rick, (Zondervan, 0310205719, 10/1/2002, $19.99)

8. Angels & Demons, Brown, Dan, (Pocket Star, 0671027360, 7/1/2001, $7.99)

9. You: The Owner's Manual, Oz, Mehmet, (HarperCollins, 0060765313, 5/1/2005, $24.95)

10. Eldest, Paolini, Christopher, (Knopf Books for Young Readers, 037582670X, 8/1/2005, $21.00)

11. The Broker, Grisham, John, (Doubleday, 0385510454, 1/1/2005, $27.95)

12. Your Best Life Now, Osteen, Joel, (Warner Faith, 0446532754, 10/1/2004, $19.99)

13. Blink, Gladwell, Malcolm, (Little, Brown, 0316172324, 1/1/2005, $25.95)

14. Natural Cures "They" Don't Want You to Know About, Trudeau, Kevin, (Alliance Publishing, 0975599518, 6/1/2005, $29.95)

15. Freakonomics, Levitt, Steven D. (William Morrow, 006073132X, 5/1/2005, $25.95)

16. The Secret Life of Bees, Kidd, Sue Monk, (Penguin, 0142001740, 1/1/2003, $14.00)

17. The Curious Incident of the Dog in the Night-Time, Haddon, Mark, (Vintage, 1400032717, 5/1/2004, $12.95)

18. Sisterhood of the Traveling Pants, Brashares, Ann, (Delacorte Press Books for Young Readers, 0385730586, 3/1/2003, $8.95)

19. The Broker, Grisham, John, (Dell, 0440241588, 11/1/2005, $7.99)

20. French Women Don't Get Fat, Guiliano, Mireille, (Knopf, 1400042127, 12/1/2004, $22.00)

21. Wicked, Maguire, Gregory, (ReganBooks, 0060987103, 12/1/2000, $15.00)

22. True Believer, Sparks, Nicholas, (Warner Books, 0446532436, 4/1/2005, $24.95)

23. The Mermaid Chair, Kidd, Sue Monk, (Viking, 0670033944, 4/1/2005, $24.95)

24. Black Rose, Roberts, Nora, (Jove, 0515138657, 6/1/2005, $7.99)

25. The Penultimate Peril, Snicket, Lemony, (HarperCollins, 0064410153, 10/1/2005, $11.99)

26. The Chronicles of Narnia, Lewis, C.S. (HarperCollins, 0066238501, 10/1/2001, $19.99)

27. Mary, Mary, Patterson, James, (Little, Brown, 031615976X, 11/1/2005, $27.95)

28. The Historian, Kostova, Elizabeth, (Little, Brown, 0316011770, 6/1/2005, $25.95)

29. Girls In Pants, Brashares, Ann, (Delacorte Press Books for Young Readers, 0385729359, 1/1/2005, $16.95)

30. The Second Summer of the Sisterhood of Traveling Pants, Brashares, Ann, (Delacorte Press, 0385731051, 12/1/2004, $8.95)

31. My Sister's Keeper, Picoult, Jodi, (Washington Square Press, 0743454537, 2/1/2005, $14.00)

32. Red Lily, Roberts, Nora, (Jove, 0515139408, 12/1/2005, $7.99)

33. The Last Juror, Grisham, John, (Dell, 044024157X, 12/1/2004, $7.99)

34. Harry Potter and the Order of the Phoenix, Rowling, J.K. (Scholastic, 0439358078, 8/1/2004, $9.99)

35. The Five People You Meet In Heaven, Albom, Mitch, (Hyperion, 0786868716, 9/1/2003, $19.95)

36. At First Sight, Sparks, Nicholas, (Warner Books, 0446532428, 10/1/2005, $24.95)

37. Eragon, Paolini, Christopher, (Knopf Books for Young Readers, 0375826696, 4/1/2005, $9.95)

38. Deception Point, Brown, Dan, (Pocket Books, 0671027387, 12/1/2002, $7.99)

39. He's Just Not That Into You, T, Behrendt, Greg and Tuccillo, Liz (Simon Spotlight Entertainment, 068987474X, 9/1/2004, $21.95)

40. Rachael Ray's 365, Ray, Rachael, (Clarkson Potter, 1400082544, 10/1/2005, $19.95)

41. Honeymoon, Patterson, James, (Little, Brown, 0316710628, 2/1/2005, $27.95)

42. The Tipping Point, Gladwell, Malcolm, (Back Bay Books, 0316346624, 1/1/2002, $14.95)

43. 4th of July, Patterson, James, (Little, Brown, 0316710601, 5/1/2005, $27.95)

44. Why Do Men Have Nipples?, Leyner, Mark, (Three Rivers Press, 1400082315, 7/1/2005, $13.95)

45. Teacher Man, McCourt, Frank, (Scribner, 0743243773, 11/1/2005, $26.00)

46. Team of Rivals, Goodwin, Doris, Kearns, (Simon & Schuster, 0684824906, 10/1/2005, $35.00)

47. Our Endangered Values, Carter, Jimmy, (Simon & Schuster, 0743284577, 10/1/2005, $25.00)

48. Trace, Cornwell, Patricia D. (Berkley, 0425204200, 6/1/2005, $7.99)

49. Bad Cat, Edgar, Jim, (Workman, 0761136193, 10/1/2004, $9.95)

50. Predator, Cornwell, Patricia, (Putnam, 0399152830, 11/1/2005, $26.95)