E. C. Morgan

A few views on writing, reading, literature and more specifically mystery fiction and my career.

Friday, September 29, 2006

An obituary

I read "Policewoman" and found it fascinating. Just learned that the autor of it died in July.

Dorothy Uhnak, 76, Novelist Inspired by Police Experience, Is Dead

By DOUGLAS MARTIN

Dorothy Uhnak, once famous as a 125-pound New York City Transit Authority policewoman who knocked down and arrested an armed mugger and then better known as the author of gritty, suspenseful, best-selling crime novels, died on Saturday in Greenport, N.Y. She was 76 and lived in Shelter Island, N.Y.

Her daughter, Tracy Uhnak, said she died of a deliberate drug overdose. She added that her mother had had a variety of accidents in recent years, was often depressed and had discussed suicide matter-of-factly.

“You don’t have to kill yourself today,” she said more than once, her daughter recalled. “You can do it tomorrow.”

Ms. Uhnak (pronounced YOU-nak) combined vibrant elements of her native New York, long experience as a police officer and a hard-boiled literary style that some compared to Hammett’s or Chandler’s in nine books of fiction and one of nonfiction.

Critics often cited the authenticity of scenes and characters in reviewing her crime novels “Law and Order,” “Victims,” the “Christie Opara” series — and her first book, the semi-autobiographical “Policewoman: A Young Woman’s Initiation Into the Realities of Justice.” She preceded Joseph Wambaugh as an ex-cop writing about the netherworld of crime and was a precursor of other women who have written about tough crime-fighting protagonists, including Marcia Muller, Sue Grafton and Patricia Cornwell. Her work was translated into 15 languages and was particularly popular in France.

“I write about very hard situations and in a strong way,” Ms. Uhnak said in an interview with The New York Times in 1977. Carol Cleveland, in The St. James Guide to Crime and Mystery Writers, noted her “copious, pounding style that forces the reader to be involved.”

Ms. Uhnak was born Dorothy Goldstein next door to the 46th precinct on Ryer Avenue in the Bronx on April 24, 1930. Her novel “The Ryer Avenue Story” (1993), a murder mystery with a horrifying twist, roams her old neighborhood.

She was a tomboy who liked to hang out at the precinct and help with typing. She lamented to Newsday in a 1964 interview that she was “always chased out when something interesting happened.”

She attended City College, then joined the transit police. She won two awards for bravery, but sometimes had an unusual perspective on people she arrested. She gave $125 she had won on a television quiz show to the pregnant wife of the large armed man who had attacked her.

“I wondered what it feels like, how a criminal tells his family what he’s done,” she said to Newsday. “I felt so sorry for him when I saw his family.”

After 14 years with the transit force, 12 of them as a detective, she resigned to complete her college education at the John Jay College of Criminal Justice. She also suggested that she left police work because of sex discrimination. “Policewoman” was published in 1964, after several editors recognized the woman who had pestered them with submissions as the name in the news.

Her first novel, “The Bait,” won the Edgar Award as the best first mystery novel of 1968 and introduced Detective Second Grade Christie Opara, who starred in Ms. Uhnak’s next two novels, “The Witness” (1969) and “The Ledger” (1970).

She jettisoned the series after the editor Michael Korda at Simon & Schuster approached her to write a big police novel, modeled on “The Godfather,” Mario Puzo’s blockbuster. The result was “Law and Order” (1973), Ms. Uhnak’s breakout book, about three generations of a police department family. It became a television movie in 1976.

Another of her big successes was “The Investigation” (1977), which was the basis for the 1987 television movie “Kojak: The Price of Justice.’’ It generated controversy because it seemed to exploit the real case of Alice Crimmins, who was convicted of murdering her two young children. Ms. Uhnak insisted that the heroine of her novel, Kitty, was entirely her own creation.

In addition to her daughter, who lives in Kew Gardens, Queens, Ms. Uhnak is survived by her husband, Anthony, and a sister, Mary Ellis of Hartsdale, N.Y.

Though it was Ms. Uhnak’s own alchemy that turned police duty into imaginative fiction, she sometimes gave part of the credit to the criminals she had met in the line of duty.

“Once I arrested a character at a subway stop for indecent exposure, and through the years I’d come home and write endless short stories about him,” she told The Times in 1981. “He finally evolved as a rapist-murderer in my first novel.”

Correction: July 26, 2006
An obituary on July 12 about Dorothy Uhnak, the policewoman turned detective novelist, gave an incorrect given name for her surviving sister. She is Mildred Ellis, not Mary.
More Articles in Arts »

Thursday, September 14, 2006

Cliche

I was thinking about some of my favorite mystery characters and stereotypes in the mystery world.

Hmmm.

Police Chief Jessie Stone, created by Robert B. Parker. His life is a mess. Trouble with booze. Too many one night stands. Uhoh. However, there are some twists. He battles the alchol problem, unlike some characters of old. He really does want to be back with his ex-wife, which is probably the source of his women problems. He's seeing a shrink. Suddenly, he gets a little more real.

I like Harlan Coben's character Myron Bolitar, sports agent who happens to get wrapped up in these messes. In his 30s, up until recently, he still lived with his parents. How's that for a character "flaw"? A bit different to say the least. Plus, I like some of the recurring issues that stem from him almost making it to the NBA, until an injury at camp ended his hoops career.

Harry Bosch, of Michael Connelly's excellent books, has women trouble and a variety of other trouble. But it seems, to me anyway, weaved into his experiences in Vietnam. It creates a character whose problems are not unlike those faced by Vietnam vets we all know.

LIke a lot of private eyes, Robert Crais' Elvis Cole is tough, and seems to go from woman to woman. However, the cliche is tempered by a character who clearly has a soft spot for kids, and things childlike. He's a Disney freak and very joking.

The thing is, these characters are very popular and attract millions of readers, literally. When you begin to look at them, you think "oh no, another alcoholic police chief" or whatever. But they use SOMETHING - an ex-wife the man still loves, a career and dream ending injury, a war -- to give the characters a legitimate reason for their problems. All of a sudden, they become like people we all know.

And the characters are given idiosyncracies -- a love of Disney, a love of pets, etc. -- to humanize them and steer them farther from the cliche and the tried and true.

Mystery fiction today is riddled with stereotypes. But in the hands of a master, the cliche can become very realistic, adding something to the book and making the character more memorable.

Sunday, September 10, 2006

Why it doesn't matter...

I recently had a conversation with someone who gave me a decidely weird look when I informed her that I wrote mysteries. The look got weirder when I informed her that my mysteries tend to involve a lot of gray areas — good people doing bad things for good reasons, moral ambiguity, that sort of thing.

Finally she asked something like, "why don't you write something better?" in a very condescending tone.

I run into that question occasionally and usually I just stick my tongue out at the person. After they've turned their back.

Writing's writing. You may write non-fiction, newspaper columns, porn, mysteries, fantasy, literary fiction, whatever. It doesn't matter to me as long as you enjoy what you write and the genre serves your story's purposes.

I write because I enjoy writing. It just so happens that I can make a decent living stringing words together.

Here's a few reasons why it doesn't matter...
1) I've been published, while 99% of the people who look down their nose at me for what I write haven't been published and never will be published.
2) I gain personal satisfaction from my writing, so they can go sit in the corner and be offended by my stories all they want.
3) I've been paid for my writing, so screw them.
4) It happens that the mystery genre provides me with a foundation to study topics that are of interest to me. Moral ambiguity.Succeedingg amid deep personal problems. Redemption. Southern life. The importance of the family name to old southern families.
5) I think my very cleverpseudonymm, E.C. Morgan, would look damn good on a book cover. But maybe that's just me.

But, yea, I write primarily mysteries these days for one simple reason. It's fun. And that's the most important thing.

Saturday, September 09, 2006

The reading list

While not being able to blog much lately, I've read a lot.

Here's a few books I've read and a couple of comments on each of them.

Sea Change, by Robert B. Parker -- B-
Not his best Jessie Stone novel, but still a good yarn. To me, Stone is becoming less interesting as a police chief as he settles more into the job and his personal life gets more and more settled. But no doubt about it, Parker can still tell a heck of a story.

Band of Brothers by Stephen E. Ambrose -- A-
The true story accound of Easy Company and the basis for the HBO mini-series. Required reading that helps you truly understand the sacrifices that were made to win World War II.

Darkest Fear by Harlan Coben -- A-
An excellent book in Coben's Myron Bolitar series. In this one, the sports agent deals with some very serious family issues and it is a gripping read.

The Effective Editor -- FFFFFFFFFFFF
Hey, I had to read it -- I do so about once a year. Good reminders for newspaper editors.

Behind the Mystery -- C+
This book is composed of interviews with mystery writers. No new revelations in the interviews, however, the black and white photography of the writers in their homes is quite stunning.

Various Sherlock Holmes Stories -- A+
I picked up my complete Sherlock Holmes collection recently and read through them. Sir Arthur Conan Doyle never ceases to surprise or amaze.

And currently, I'm reading The Cabinet of Curiosities by Douglas Preston and Lincoln Child.
Good stuff so far and that Pendergast character is something else. I'm looking forward to see how this one turns out and Pendergrast chases a modern day serial killer who is mimicking one of 100 years ago.

An update on my writing

It's been a while and I really need to be more regular with my blogging. I've noticed that the more I blog, the more I write other stuff, and now that I'm pretty well settled into my position at the paper, excuses are falling away quickly.

I've not been idle, though.

The short story, The Donut Shop is making the rounds and I expect someone will want to publish it. I'm currently doing some revision work on another short story and writing yet another short story.

Book work was suspended until just the last couple of weeks.

A lot of ideas are bouncing around my brain, and I need to start getting some of them down on paper!